I was invited to create the music for this ten-part podcast, which tells the story of what came to be known as the 'Bible John' murders in 1960s Glasgow.
Through conversations with the producer, I was told that the sound of Glasgow at the time was Big Band Jazz in the city's dance halls.
I wanted to create music that evoked that time period, but felt modern at the same time.
Being in charge of the mixing process meant that, rather than just handing over some music and saying goodbye, I could adapt the music to each twist and turn of the story.